Cinema-Maniac: Mission: Impossible – Fallout (2018)

Mission: Impossible – Rogue Nation (2015) reached a bar very few action movies can ever reach. Being both high brow in its writing, and offering fantastic action setpieces one after the other. Rogue Nation perfected the Mission Impossible formula leaving me (as well as many others) wondering how could Christopher McQuarrie, and Tom Cruise would top what Rogue Nation perfected. The answered turned out to be surprisingly simple; further expands on the character writing of Rogue Nation, increase the amount of action sequences, and diving into the importance of how much someone should be willing to sacrifice for the greater good. At the time of this writing I do feel it’s a early to tell if Mission: Impossible – Fallout would be considered among one of the greatest action movies ever made years from now, but at this moment it’s makes a strong case for itself that it definitely should be considered as one of the action genres finest film.

Hunt, your mission briefing, will be shorter than this review.

Mission: Impossible – Fallout follows Ethan Hunt (Tom Cruise), and his allies in the IMF attempting to put an end to the remaining members of The Syndicate now reformed as a new group called The Apostles. Racing against time to put a stop to The Apostles plan to use three plutonium cores for a simultaneous nuclear attack. The film establishes a strong footing in its opening sequence through the simple means of story continuity for the first time in the series. Whereas previous entries simply mentioned past events in previous movies, Fallout takes the biggest risk of the franchise directly continuing the story from a previous installment. What this immediately setups is an understanding of Ethan Hunt enemy, the risk they pose for the entire world, and limits they will push Ethan Hunt physically, and mentally. The opening sequence masterfully gets across the villain motives, sets up the theme of how much one is willing to sacrifice for the greater good, and for long time fans a welcoming subtle nod to the original film’s opening sequence. Even if you don’t recognize the nod to the original film the opening sequence is still fantastic. Yes, even Benji (Simon Pegg) ongoing gag longing to wear a face masked since Ghost Protocol is finally concluded.

After the opening credits finishes playing the film continues to waste no time kickstarting the story, and it never lets up. Replicating the writing quality of Rogue Nation you can expect high brow writing, great character interactions, and thematic exploration of this movie equivalent to “The Trolley Problem”. An example of high brow writing would easily be how the movie handles the reveal of a double agent among the group. While visually there’s no subtlety to who it is the movie goes with the wise choice to reveal the double agent to the audience, and then having Ethan Hunt, and company discover who it is. By not dragging out the obvious twist it’s then able to further focus on what it does best time, and time again; setup an action/dramatic scene, and provide a great payoff. Like Rogue Nation before it, Fallout also throws in twists to throw you off while never becoming difficult to follow. One tricky element that Fallout is able replicate is making it uncertain where Ilsa (Rebecca Ferguson) loyalties truly are. Pulling such a feat without feeling convoluted, or a rethread of what Rogue Nation did. Expanding on the character Ilsa, and the relationship between her, and Ethan Hunt.

Continuing on, Fallout is also capable of smoothly subverting your expectations when needed too. Besides how the double agent is dealt with, another aspect it subverts is Ethan Hunt being push into a corner. With the movie making a case about one life sacrifice in favor of the greater good there’s a sequence that forces Ethan Hunt to think of a way around a difficult predicament. Not only resulting in a creative way for Hunt to out of a no-win situation, but also provides the perfect lead into a lengthy chase sequence. Fallout is full of moments that will have you impress how carefully crafted it is, and how it’s capable to make  anything that can come out of thin air appear naturally into the story.

When not destroying earth as Superman, Klark Kent tries to save the world as a CIA agent

Out of everything in this movie the biggest praise I can easily offer it is Ethan Hunt, and his teammates have nicely evolved into well rounded characters at this point in the franchise. In Fallout, you’ll get a much clearer idea of what Ethan Hunt is all about, and why he continues to work in the IMF despite his desire for a normal life. For the second time in the series, Ethan Hunt credibility as an IMF agent is questioned again by the CIA. Exploring this plot point properly several times throughout the film, and providing fleshed out perspectives on it. One thing long time fans will easily enjoy is seeing the return of Ethan Hunt’s wife from the third movie in this outing. Leading to the most satisfying dramatic moment in the franchise, and being the emotional high point of Ethan Hunt’s journey.

When it comes to the team aspect on a dramatic level it’s the best the team has been. Humor is dail down, but manage to get in a few comedic bits in there. The team feel a lot closer together than in previous outings. Like with Ghost Protocol, and Rogue Nation, Fallout places equal importance on the team work, especially in the climax where envisioning a possibility for Ethan Hunt to pull it off alone is impossible. Not only that, but this entry also provides the team the closest encounter to death they’ve face, and despite you knowing the outcome is still exciting to witness.

Finally the return of Solomon Lane is wise choice. It’s the only time in the franchise history Ethan Hunt, and the IMF are up against a villain from a previous movie. Rogue Nation established animosity between Ethan, and Lane. Fallout takes it to another level further exploring the psychological results Lane has had on Ethan Hunt. Further seeing the toll the mind games are having on him. Solomon Lane isn’t simply here to be a foil to Ethan Hunt with his world ending plan, but also attempt to destroy Ethan Hunt emotionally. Becoming the series best villain garnering a full understanding of Ethan Hunt, and how to break him emotionally.

Wouldn’t a Mission: Impossible movie without Tom Cruise running

Tom Cruise being the reliable actor he has become through the franchise is once again fantastic as Ethan Hunt. Being the first time in the series to subtly acknowledge Ethan Hunt age, and the wear the his body is taking. Not through dialogue, but through simplistic visual cues like showing Tom Cruise stumble more while running a lot, and his punches not having the same force behind them as they use too in fight scenes. Another example of this would be when Tom Cruise crashes into a car while driving a motorcycle. As he gets up, he is visibly limping whereas in Mission: Impossible 2 Ethan Hunt was able to still fight after a head collision in midair, and falling several feet to the ground. Applying a different kind of reliability to Ethan Hunt without taking away any of the traits that makes the character fun to see on screen.

On the acting side Tom Cruise easily tops his performance from Mission: Impossible 3 to portray the series most humanize version of Ethan Hunt. There are several scenes dedicated taking advantage of Cruise acting ability, and letting him show cracks in the superhuman like spy of Ethan Hunt. Coming off as more worried, more sincere, and most importantly more emotionally invested in the livelihood of everyone involve. Bouncing off nicely with the cast of usual suspects like Simon Pegg, Rebecca Ferguson, and Ving Rhames. One fascinating thing about Cruise throughout the series is how the longer the series went on the more stunt oriented sequences there’s been in the movie. Usually an actor, like Jackie Chan for example, would usually decrease the amount of dangerous stunts they perform, but Cruise is the opposite seemingly desiring to up the ante the older he gets. The opening sequence is a testament to his ability to draw me into his character, and story. Even though I’ve been a fan of the series for the good part of over a decade, and should have seen some things coming. I was still taken back being surprised by the turn of events, and that mostly because Tom Cruise always does his best in these films.

Besides being a great action franchise, Mission: Impossible I sometime jokingly referred to as the reasons Tom Cruise is awesome. I mentioned before how Tom Cruise is very committed to portraying Ethan Hunt, and becoming him so the audience can further believe, and become engaged in whatever he does. In Fallout, Tom Cruise learned to fly a Helicopter performing the corkscrew dive; a maneuver even experienced helicopters pilots would be afraid of trying. That’s not even including the details Cruise is performing the Corkscrew dive close to some mountains making an already difficult maneuver even more dangerous to pull off without a hitch. Despite the danger involved in making the sequence, it turned out exhilarating. Rarely do action movies ever show their main actors actually flying a helicopter, and seeing Tom Cruise actually performing the sequence makes it that much more exciting to watch. Yes, Tom Cruise runs in this movie, and to date is the most you’ll see him run in a single movie.

Just like in Avengers, Jeremy Renner is nowhere in sight

Alongside Tom Cruise is the reliable supporting cast. Simon Pegg continues to be a joy to watch in this series, and seeing his character evolve into a fully realized character. Unlike in previous movie, Simon Pegg actually gets to participate in one action sequence in the film, and it’s rather tense wondering if he’ll live or die. A true testament in his abilities to nail down a role that is maturing in each installment. Ving Rhames gives his best performance as Luther in the series. He as a dramatic scene discussing Ethan past with Rebecca Ferguson that is heartfelt. Being the most dramatically demanding Ving Rhames ever had to be in the series. Handling the guilt Luther feels about his part in the mission gone wrong in the opening sequence.

Rebecca Ferguson returns once again reprising her role as Ilsa. She is once again terrific as Ilsa portraying the badass femme fatale side of her with a nice touch of vulnerability. Always coming off as capable, and once again, being able to make you unsure on where her loyalty lies. Alec Baldwin reprises his role as Hunley. He isn’t in the film for long, but the film makes good use of him in his brief time. Another familiar is Sean Harris himself as Lane. He’s able to deliver the animosity, and hatred he has for the entire IMF through his delivery. Being very cold, and taking joy in seemingly being one step ahead of Hunt, and his team. Not only that, but this film also provides Sean Harris a scene to prove he can be a match for the team in a fight.

Then there’s also the also newcomer in Henry Cavill. While his appearance, and the way he’s frame leaves little room for shock Cavill avoids hamming it up as Walker. Instead, Cavill opts to portray Walker as a smooth, younger, and more improved version of Ethan Hunt. Fitting in nicely into the cast. There’s also Liang Yang whom despite not having much in the way of words has a standout sequence where he fights against Cruise, and Cavill in a awesome fight scene. Other than that, there’s also the other ladies with Vanessa Kirby, and Angela Bassett playing bit roles in the movie. There’s also fine addition to the movie. Finally, there’s also the appearance of Michelle Monaghan reprising her role as Julia, and her time in the movie is not wasted. Taking part in a rather touching scene between her, and Cruise.

This fight here, simply awesome.

When it comes to action Christopher McQuarrie once again manages to outdo himself in that department. One of Fallout’s most outstanding action sequence comes in early in the form of a 2 on 1 brawl in a restroom. Neither Tom Cruise, or Henry Cavill are not martial artist, but thanks to intelligent fight choreography the fight sequence comes out amazing. Being quick in performance, fantastically shot to see happening clearly, and edited together to flow very smoothly. Not allowing a single moment for the viewer to take their eyes of the fight sequence as they use the environment destroying a good part of it during the process. Another nice touch in the fight sequence is despite Cruise, and Cavill fighting against Liang Yang it ensures everyone gets in a fair shot on each other. No one during the fight sequence no one is afraid to take hits, or look weak allowing the tide of the fight to constantly change. Through nice timing no one in the fight is simply standing around smartly implementing Tom Cruise, and Henry Cavill cooperation to basically double team Yang. Also, Liang Yang deserves some special credit for his stunt work during this scene breaking a good chunk of the bathroom with his body.

The one sequence you’ll likely not forget in this movie is the Helicopter sequence. It is ambition, lengthy, and exhilarating all the same. Requiring Cruise to hijack a Helicopter mid air while hanging climbing up a rope tied to some medical equipment. It’s even cooler seeing the sequence for yourself, and seeing close up shots that Tom Cruise is actually doing these things. Drawing you further into the rush of the scene. There’s also Christopher McQuarrie favorite kind of action sequence, and that’s lengthy chase sequences. What’s impressive about Fallout chase sequences isn’t the amount of destruction in them, but the staging of them. Something simple like Tom Cruise riding his motorcycle in front of oncoming traffic, or quickly maneuvering through narrow alleys when making quick turns. Most notable in these sequences are McQuarrie usage of sound allowing the natural sound of the vehicle in used with some music to company it to his chase sequences exciting. Christopher McQuarrie loves his lengthy chase sequences, but is also smart enough to offer up a variety of action sequences so the audiences won’t be bore, and each them is excellent.

The light in this still, is the light towards the end of this review!

The music is composed by Lorne Balfe, and it is simply perfect. Being the right kind of commanding without being bombastic, or drawing too much attention to itself. For example, the track Free Fall used during a skydiving sequence into Paris during a stormy sky perfectly sets the mood. While you’re witnessing the sight of thick dark clouds with lighting giving abound here comes the track “Free Fall” starting off big with several orchestrated instruments playing at once before bringing in a choir to make it sound more epic. My description doesn’t do it justice. Music is a big part of the movie to create an atmosphere. Under the hands of McQuarrie direction is used to it fullest extent to help improve the mood of scenes instead of dictating how they should make you feel. Finally, the redemption of the Mission Impossible theme here is again excellement with the opening credit sequence being another close match to the original TV series. Also, it’s nice to see the closing credits sequence getting some love before hard cutting to the usual black background with white text overlay scrolling down. It doesn’t impact the overall enjoyment of the movie, but I appreciate these nice small touches.

Mission: Impossible – Fallout takes the perfected formula of Rogue Nation, and expands on it in all the right ways. Transcending the label of the genre it belongs in. Being a masterclass of editing, storytelling, action, acting, and anything else you can think off in one exciting movie. Serving as a reminder that action movies can aspire to become more than just simple entertainment, and supply you with plenty more emotion when the effort, and dedication is put into providing the audience some heart to go along with all excitement it provides.

Rating: 10/10

Cinema-Maniac: Mission: Impossible – Rogue Nation (2015)

My mindset before the release of Mission: Impossible – Rogue Nation was one of middling intrigue. At this point, the only Christopher McQuarrie film I saw was Jack Reacher (2012). A decent movie that didn’t exactly make me believe MI 5 could surpass what Ghost Protocol did before it when it was announce he would be director. Then came out another film once again uniting the duo of Cruise, and McQuarrie by the name of Edge of Tomorrow (2014) which despite some laps in logic did impressed me on many levels. However, when I finally saw Mission: Impossible Rogue Nation did it dawn on me that McQuarrie had a great understanding of the Mission: Impossible series than previous directors ever did before him. Feeling like he took the time to see each individual entry before crafting Rouge Nation. Christopher McQuarrie basically took defining aspects of previous movies putting his own flair to them; the at times high brow writing of the first movie, the romantic tension between Hunt, and love interest in the second, the strong chemistry between Ethan, and the film’s villain in the third, and finally the team banter, and comedy from Ghost Protocol. In Rogue Nation, Christopher McQuarrie is able to expertly combine all these different traits into a high brow blockbuster film finally perfecting the series formula in such a spectacular manner.

As you can see here, Cruise also can’t believe the length of this review.

Mission: Impossible – Rogue Nation once again follows Ethan Hunt (Tom Cruise) on the run from the CIA, following the IMF’s disbandment as he tries to prove the existence of the Syndicate, a mysterious international terrorist group. Let’s get the obvious out of the way by addressing Ethan Hunt is once again disavowed from the IMF. However, this is actually used to the film’s story advantage in a clever way. Addressing the lack of consequences of the many destructive methods, and near misses to save the world the IMF had in this series. Witnessing the courtroom scene where CIA director Alan Hunley (Alec Baldwin) making a case to disband the IMF is one that finally demonstrates repercussion the series had been largely ignoring. This immediately put the movie on the right track forward because it’s not shoehorned, and the arguments for the IMF to be disband have reasonable ground to them recalling events from previous movies. Eliminating the notion that after every M:I film’s ending has Hunt, and his team walk off into the sunset after every mission. In turn giving the stakes of the film’s story greater gravity in a natural way without feeling the need to one up itself.

Another small detail that McQuarrie did is breaking the tradition of the usual mission briefing. Before Rogue Nation, the mission briefing simply serve as a way to deliver exposition about Hunt’s mission objective to the viewer. In this installment it’s no different, but executes in a manner where it expertly kicks off the rivalry between Ethan Hunt, and the film’s villain Lane (Sean Harris). Immediately showing Lane ability to think outside of the box to pull one over Ethan Hunt. Making a strong impression on long time fans being the first villain in the series to make his presence know directly to Ethan Hunt in a such big way. Getting into Ethan Hunt head in their first encounter, and showing the viewer that Lane might be a greater challenge than anything Ethan Hunt has faced before.

When it comes to everything else in the writing it does a excellent job making you question the loyalties of all party involve. Brandt (Jeremy Renner) for instance has ever increasing doubt about Hunt’s ability to make the right call anymore. Showing a nice progression of Brandt, and Hunt friendship being in murky water with their disagreements on how to approach the situation at hand. As the film progresses, it plays around with viewer expectations by throwing in a few twists that make the film’s story more complex. Never becoming convoluted, or to difficult to follow as it easily delivery information through a clear, and concise manner.

Of course this one also has Tom Cruise obligatory running.

My favorite moment of high brow writing would easily be a sequence before the action climax starts. Ethan goes to a specific location to meet up with Lane, and attempt to save his friends in the process. The way the sequence plays out is a work of art. Expertly setting up mood that both sides simply hate each other. Making you question if there’s a way for Ethan Hunt to turn the tide in his favors during this sequence. The movie is filled with smart moments like these being more intelligent than your average movie, and respecting the viewer intelligence by not spelling out to the viewer its plot filled with some twists. While I’m at it, there’s only one usage of the face mask used in the entire movie. A refreshing change of pace making its only usage be a an actual surprise instead of something expected.

The best new addition to the film series is disavowed MI6 agent Ilsa Faust (Rebecca Ferguson). Easily being the best written female character the series had walking a fine between her vulnerable, and cold experienced agent side of her. Allowing another to display the effect of being an agent has on its operatives. Her characterization is handle well being able explore the obligations one has to their nation as a agent, and if it’s worth it. Being able to draw some parallels between her, and Ethan Hunt characters. Hinting at a possible flare of romance between the two which is done nicely without it taking over the story. In a very subtle way, Ilsa Faust character also has traits that remind Ethan Hunt of his wife from the third installment. Never making this aspect be brought to the forefront is a nice detail for long time fans of the films series to catch.

Benji: “So, which one of us should be first to tell Hunt we’re quiting?”

Returning once again to the series the team banter with one other. This time though, Luther (Ving Rhames) finally gets back into the series fitting nicely with Brandt, and Benji making for some hilarious interactions. Another nice callback from Ghost Protocol is Benji getting excited for having the chance to use a facemask. Surprisingly, the friendship between Benji, and Ethan Hunt in this installment sees some great growth between them. Getting to the point where the series finally evolve from the starting point where the team felt like an accessory, and now finally feel more like their long time friends adding more emotional involvement for the characters involved.

Then finally comes the villain Lane (Sean Harris). Much like the third installment villain, Lane brings back the amodisity, and the tension between our hero, and villain missing from Ghost Protocol. Doing more than just getting the upper hand on Ethan Hunt. Lane brings in more of a mind game element as he constantly escapes Ethan Hunt grasp at every turn. Getting to Ethan Hunt head, and seeing the psychological effect Lane has on Ethan Hunt to the point where Hunt dilludes his mission objective from his obsession. In turn creating a blurred line between Hunt, and Brandt friendship in the film. Spending some time to also explore his motivation to be more than just a evil doer whose only in it for the money. Making Lane a good foil for Ethan Hunt, and far more compelling to see how in the world would Ethan would be able to beat someone equal to him.

Pretty smooth Cruise

Tom Cruise (as he usually does) is fantastic as Ethan Hunt. This time the movie gives Cruise well balance material to work with again. Balancing the superhuman, and the everyman aspect of his character perfectly. For instance, only someone like Tom Cruise will make you believe he can skillfully drive a car in narrow alleys during a high speed chase sequence minutes after barely coming back to life. Being able to display Hunt more obsessive, and self doubt to his character that previous entries didn’t allow Cruise to touch on. Getting to see more of Ethan Hunt flaws whereas previous movie would usually portray him of being calm, even under extreme pressure. Here you visibly get a glimpse of the mission getting to Cruise. Beyond showing the usual from Ethan Hunt, Tom Cruise also plays off his other actors pretty well. Especially with Simon Pegg whom both manage to bring together plenty of laughs, and surprisingly amount of dramatic weight in a few scenes.

There’s an underwater sequence where Tom Cruise holds his breath underwater for over a minute. While the sequence itself has some usage of CGI. When Tom Cruise holds his breathe in that sequence that is actually Tom Cruise holding his breath underwater. While you don’t get to see a continuous shot of Cruise holding his breath for the entirety of those six minutes the fact he even learned to do that is some serious commitment to his craft.

This opera sequence is pretty cool

Simon Pegg plays Benji with his screen time increasing. He adds a lot of humor to the film, and his back & forth banter with Tom Cruise is stellar. Being able to get to display a bit of his more serious side in a few scenes. Like in Ghost Protocol, Pegg never forgets to portray Benji as a just normal character instead of the relegated comedic relief. Jeremy Renner return as Brandt with a role that received a slight downgrade. Renner doesn’t participate in the action sequences as he did in Ghost Protocol, but the movie still makes good use of him. Usually having Renner break up some serious moments through his comedic delivery. Simply seeing him reluctantly go along with everything Cruise suggest despite his best knowledge makes him enjoyable to watch on screen.

Ving Rhames, the other long running staple of the Mission: Impossible franchise makes an appearance, and gets a good amount of screen time in a supporting role. Rhames has always been an enjoyable part of the MI films, and here it’s no different. Seeing him for the first time interact with Renner, and Simon Pegg for a good amount of time was a enjoyable part of his return. Also, there’s one moment where Ving Rhames, despite not looking what you expect a computer whiz to look like, absolutely sells a line of how good he is. Alec Baldwin has a supporting role in the movie, and he too is another nice addition in the series. He interacts with Renner the most for a good portion of the movie. He simply knows how to properly deliver his dialogue whether it’s building up how awesome Ethan Hunt, or expressing the unlikelihood of everything simply a coincidence.

Rebecca Ferguson seen here kicking ass

Rebecca Ferguson steals the show from the rest of her co-stars. How can’t she when she’s basically portraying the female equivalent of Ethan Hunt in the movie. Showing she’s more than a pretty face carrying herself during the action sequences as she does during her dramatic scenes. Her chemistry with Tom Cruise is simply smooth you believe every encounter they have together. Getting ample of opportunities to show a wide arrange of emotion. Being a flirtatious, a bit saddened, and a bit humorous allows her to steal the show whenever she’s on screen portraying a cool character.

Finally the last bit of actors worth mentioning. Simon McBurney gets a decent amount of screen time to make an impression as a classy, but slimy MI6 handler. Then comes the villains of the film in Sean Harris, and Jens Hulten who plays his main henchman. Saying very little on screen Jens Hulten is able to pick the weight of being a formidable foe where Sean Harris expertly portrays a cunning man who’s willing to do anything to win. Both together create a perfect balance as the foils to the heroes. While Sean Harris lacks the intimidation of MI 3 villain. Harris, and Cruise are still able to match that rage filled chemistry between the two of them.

Christopher McQuarrie delivers when it comes to the action sequences with some stellar set pieces to behold. One of them takes place in a opera house with Cruise attempting to stop an assassination on the Austrian Chancellor. When Cruise eventually encounters one of the assassins they get into a fight scene as the opera equipment around will occasionally move. This whole sequence is masterfully set up in every aspect. Using the music within the sequence to circulate tension as times quickly runs out, and Cruise is put into a corner on how to best come out of the situation. There’s also another good fight scene early on in the movie where Cruise, and Rebecca Ferguson beat up some of the members of the Syndicate in a torture room that’s pretty creative as it is somewhat brutal.

This movie is filled with cool moments, like this chase scene

A lengthy chase sequence in Morocco, Casablanca is easily the most impressive sequence on a technical level. Especially one moment where Cruise during the car chase is getting chased by three armed motorcyclist in a narrow street, and manages to take out two of them. However that specific moment was done it certainly looked cool. Then after that another high speed chase sequence, but this time on a motorcycle, and Cruise himself performs the entire chase sequence without wearing any protective gear. It’s impressive to see the skill of the motorcyclists smoothly maneuvers around traffic. By the time the climatic actions sequence arrives you’ll be wondering how they’ll top that, and they find a way through a mixture of hand to hand combat, and a bit of gunplay. Whether it’s all conversation, or action on screen Christopher McQuarrie knows how to keep his viewers eyes glue to the screen.

The music this time was composed by Joe Kraemer elevating the movie to another level. It’s exciting, tension racking, exotic, and so much more that he’s able to get across properly. You might not remember the soundtrack once it’s over, but it will definitely improve the overall enjoyment of the movie without drawing too much attention to itself. Heck, even Giacomo Puccini famous orchrestrated track, “Nessun dorma”, even makes an appearance. Yes, Lalo Schifrin theme song for the Mission: Impossible gets another redenition, and another usage in the movie. At this point, there’s no need for me to you tell how good the opening sequence is, and simply retaining the spirit of it while adding to the track is more than enough to keep it good. Also, another nice going on the credits sequence for looking the closest to the original tv series.

Mission: Impossible – Rogue Nation manages to take elements from previous movies either matching them, or surpassing them with Christopher McQuarrie own take on them. All without feeling like it’s simply copying from other movies able to establish a strong identity of its own. Not only is Mission: Impossible – Rogue Nation one of the best entries in the franchise perfecting the formula, but also one of the best, and smartest action movies you could find in the genre.

Rating: 10/10

Cinema-Maniac: Mission: Impossible – Ghost Protocol (2011)

Before the release of Mission: Impossible – Ghost Protocol in 2011, I knew no one in any online film community, or offline who even had the faintest interest in the Mission: Impossible franchise like I did. So you could imagine my surprise when the forth entry was released, and for the first time I came across people who also enjoy the series like I did. Ghost Protocol marked a turning point in the Mission: Impossible series that imbued viewer confidence in Brad Bird being just as capable in the realm of live action filmmaking as he in animation. Currently being the highest grossing entry in the franchise. This entry also rejuvenated fans interest in the franchise, and garnered a slew of new fans through word of mouth. Why wouldn’t people talk about this movie, it’s a blast to watch.

Your mission. If you choose to accept it. Is to continue reading.

 

Mission: Impossible – Ghost Protocol has Ethan Hunt (Tom Cruise), and the entire IMF implicated in the bombing of the Kremlin. Now it’s up to Ethan Hunt, and his rouge team to clear their organization name. Playing within the expectation of the series establish formula it makes further refinement to it. For starter, the fact that Ethan Hunt is once again disavowed from the IMF isn’t eye rolling. Providing that plot point in a refreshing way. Second improvement would be the storytelling placing greater emphasis on the team. Being the first in the series to acknowledge, and treat all of Hunt’s team members as equals to him. Weaving a story that’s able to tackle the conflict of the team learning to work together in a simplistic, effective manner.

Third improvement would be intelligently working around Ethan Hunt doing field work despite being married in the previous movie. Being able to address this plot point without juxtaposition in Ghost Protocol intention of being a fun blockbuster driven by big set pieces, and entertaining character interactions. Fourth improvement would be this installment is comfortable with incorporating more hi-tech gadgets for the team to use. You have the return of the face mask which graciously is only used twice, but also electronic gloves that can attach to any surface, a device that can suck up concrete with ease, a contact lense that can do face recognition, and a few others devices.

A nice change up in the writing is the pacing is consistent throughout. Being brisk without giving up the finer details in its story. The biggest improvement to the series is easily the team dynamics, and the banter between them. Keeping events engaging more than ever before when there isn’t an action scene on screen. Characters play off each other really well with each one getting a chance to shine. Each member of Ethan Hunt team is also given their own arcs reaching a satisfying conclusion, and nicely developed to stay invested with the situations they get themselves into. In addition to that, they also show traits of having their own personality standing out from one another. Benji (Simon Pegg) role gets greatly expanded upon. Adding more to his character, and not relegating him to solely being the comedic relief as the other characters also have funny lines. All the while being capable of being taken dramatically seriously without breaking the tone of being an enjoyable blockbuster.

Renner has to be the bearer of bad news telling Paula Cotton she’s not in the next movie.

One new thing that Ghost Protocol introduce is finally giving Ethan Hunt some proper continuity that he needed. No longer does he feel like a rewritten character. A welcome change to witness Ethan Hunt receive some proper growth. Showing for the first time the toll in being the IMF has on his personal life. Without over blowing it, displays the sacrifices he has to make in his personal life for the greater good. Another nice welcome is continuing to balance Ethan’s brawn with his brain. Finding a proper way to show him be vulnerable, but a very capable agent. Favoring a new way to have tension through the near failures of some of his operation over being on the verge of death. For once, Ethan Hunt gratitude, and commaraderie towards the team feels genuine.

 

The weakest part of the movie is easily Hendricks (Michael Nyqvist) the film’s villain. He is treated like a mcguffin, and magically appears wherever, and whenever the movie needs him be. Lacking the intimidation factor, even if he gives Ethan Hunt a challenge mentally, and physically. His biggest issue is that most of his characterization is chalked up to just being psycho. If the film didn’t attempt to give some complexity through his motivation than the whole mentally unstable personality would have worked. Hendricks motivation implies there’s much more to the character the film only briefly touches on. Feeling like a non-entity of a villain. Further brought up to your attention when someone else Hunt’s team is after had more of an personal impact on them than Hendricks did.

Not the only time Tom Cruise running is meant to look epic.

Tom Cruise in this installment is mostly playful, but not to the point of absurdity. Showing off more of his comedic timing, and charm than in previous outing. Not only that, but also gets some dramatic scenes, and knocks them out of the park. When you give Cruise material that provides range he’ll deliver. On top of another good performance he’s still does the superhuman like stunt work; like the stunt he performed in Dubai hanging over 1000 feet from the ground on the side of a hotel. It looks absolutely stunning, and seeing Cruise perform the stunt makes you further believe in him as Ethan Hunt. He always proven he’s dedicated to playing Ethan Hunt in every minute of any Mission: Impossible movie. Also, this entry has the most epic looking running Tom Cruise has done in his career.

Simon Pegg reprises his role as Benji to larger role much to the benefit of the film. Being instantly likable through his through his impeccable timing on his jokes. However, Pegg also shows a good amount of restraint preventing him from going into goofball territory. On the plus side, his portrayal of Benji makes it easy to accept him as a IMF agent. Paula Cotton is another nice addition to the film. She picks up the dramatic weight alongside Jeremy Renner. Looking convincing in her action sequences, and showing the right amount of toughness, and vulnerability. Jeremy Renner first entry into the installment also makes him a mainstay. He’s so natural alongside Simon Pegg, and Tom Cruise is easy to see why he was kept on. All the cast members have chemistry with each other holding the film up together when separated from Cruise in a scene. Something that previous entries struggle with.

Lea Seydoux plays an assassin with little lines, but her good looks, and cold presence is easy to take notice of. Then finally there’s Michael Nyqvist who plays the villian. He does fine in the role, but isn’t intimidating in the least. Nyqvist also doesn’t come across as much of a psycho, but when granted the chance to speak he fares better. Unfortunately Nyqvist, and Cruise don’t talk much to each other removing that sense of pure hatred that Philip Seymour Hoffman brought with him. To Michael Nyqvist credit does make an effort to make the villain look, and act like any other normal person. Lastly, Ving Rhames makes a cameo in the film. It’s a shame he wasn’t in the movie very long, but it’s nice that the film didn’t forget about him either. While I’m at it, Michelle Monaghan also makes a brief appearance. More bonus points for fans for the series.

My favorite action scene in this movie.

Brad Bird changes up the gunplay from MI3 in favor of hand to hand combat. Preferring to take the route of being inventive over complexity. Resulting in a slew of stellar pieces. Easily the one that everyone who sees this film talks about is when Cruise hangs on the side of the Burj Khalifa in Dubai over 1000 feet from the ground. During this sequence Brad Bird expertly knows how to set up the sandstorm to use in a later action sequence. As Tom Cruise climbs the Burj Khalifa, Bird always ensure to use the reflection on the Burj Khalifa to remind audience how high up Cruise is. Through the simple methods of zooming out, overhead shots, and wide shots Brad Bird gets the most out of this sequence in a visually stunning way that could also be nail biting through some masterful editing.

Also taking place in Dubai, another noteworthy set piece is a car chase where Cruise chases Nyqvist. Despite obvious usage of CGI for the sandstorm a majority of the sequence is done practically. Being far from your standard chase sequence it starts off on foot before eventually ending up at the point where a car goes up in the air after a crash, and nearly hits Cruise. The events in between uses the sandstorm to the environment, and vehicles hard to spot. Using this blurriness to keep viewers uncertain if anything else is going to harm Cruise. There’s another clever sequence in the vaults of the Kremlin Archives in which a virtual reality illusion is used to fool a guard.

Easily my favorite action sequence comes during the climax where Tom Cruise fights against Michael Nyqvist in a space age looking park with elevators. Both men fight to obtain a briefcase with both Cruise, and Nyqvist fighting on equal footing with their surrounding constantly moving around, and complicating things for both. During the fight sequence, both man land on a platform with Nyqvist holding the briefcase while a car is behind Cruise slowly moving on the platform. In this moment, Nyqvist gets the advantage, Cruise gets his left leg seriously hurt when he’s pull of a counter maneuver putting Nyqvist on the floor, Cruise left leg gets stuck with the briefcase in arms reach, Nyqvist kicks the briefcase below the car, Cruise jumps over the car, and lands on the other side of the platform with the car moving a lower level preventing Cruise from grabbing the briefcase. This is just a small example how inventive the fight goes of it way from being a simple fist fight.

Aside from the action scenes, Brad Bird also creates an opening sequence similar to the first entry showing snippets of the movie you’re about to see. It’s something insignificant in the overall film, but it’s nice seeing it return. Michael Giacchino returns to to compose score for Ghost Protocol. Being an improvement over his work on Mission: Impossible 3. The soundtrack has more of presence adding to the excitement, and setting the appropriate dramatic mood when needed. Finally, it’s so nice to hear the return of “Light the Fuse” (the name of the Mission: Impossible theme song) from Lalo Schifrin, and not have it be altered in any way. It was missed, but thankfully it gloriously returned.

Mission: Impossible – Ghost Protocol makes even further refinement to the series formula, and taking it to greater heights both literally, and figuratively. Offering sheer entertainment in the form of spectacular set pieces brought to together by great writing. It delivers everything you want in a blockbuster without being dumb, or loud, but instead being smartly crafted, and expertly put together. Like all the previous installments, there’s a lot going against it, but the series willingness to take risk always pays off, and here it’s no different.

Rating: 9/10

Cinema-Maniac: Mission: Impossible III (2006)

Mission: Impossible 3 would mark the feature film debut of J.J. Abrams whom before this point worked on the small screen on series like Alias, and Lost. The former of which Tom Cruise binged watch, and made him offer the directing gig to him. Given the generally mix reaction of Mission: Impossible 2 (2000) would explain the six year wait between sequels, but the profit gained from MI 2 also ensured another installment in the franchise was always possible. Perhaps the most interesting tidbit of this third outing is David Fincher almost directed the movie. However, he dropped out over creative differences. Like other before him, J.J. Abrams takes the mantle of the franchise providing his own spin on it exceeding where the two previous directors failed before him. Offering a story that will satisfy fans of the original, and providing blockbuster spectacles fans of the second outing expect into this entry.

It’s time to come clean Hunt. Who’s Nyah?

Mission: Impossible 3 puts agent Ethan Hunt (Tom Cruise) into conflict with Owen Davian, a dangerous and sadistic arms dealer who threatens Hunt’s life and his fiancee in response. It might have taken three films, but here is where the series finally hit the mark on balancing its tone. Being neither too serious, or too over the top. Starting out strong with a great opening sequence that perfectly set up the stakes as well as serve as flash forward to were the viewer will eventually end up at. It’s a great hook that immediately gets the audience attention. Everything else that precedes the opening sequence does a fine job in the keep the viewer invested in showing Ethan Hunt personal life, banter between the team, some levity to prevent from being too serious, and some eventual mind games between our hero, and the villain. All this is done in its fast pace that never lingers too much on any scene. Being very streamlined in its storytelling while properly spacing out the action sequences infuse in itself as a blockbuster.

Another balance in the film is the handling of Ethan Hunt character. Making full use of not only his physical abilities, but also his intelligence in quickly thinking of a way out of a dangerous situation. Showing the audience him thinking on the spot to pull off a difficult task. Retaining his experience from the previous movie Ethan Hunt is still capable on the field, but you won’t see Hunt doing back flip kicks, or dodging bullets by taking cover on the side of his high speeding motorcycle with arm goons right behind him. With the addition of having someone to lose there’s a semblance of weight that returns to Ethan Hunt. Now that you know he has something to lose it makes those set pieces more engaging. A personal bonus I would say is the dialogue is a nice fusion of the serious story of the first one with a more tone nature of dialogue from the second film. Offering some memorable lines like the ones below to provide a few examples. Needless to say, the dialogue is on point.

Brassel: You can look at me with those judgmental eyes all you want, but I bullshit you not, I will bleed on the American flag to make sure those stripes stay red.

Luther: Look, I don’t mean to cross the line here, but was there something going on between you two? You and Lindsey?

Ethan: Lindsey was like my little sister.

Luther: And you’ve…never slept with your little sister? [Ethan stares at him again] Look brother, if I don’t ask you, who would?

Lindsey: I’m out, how many rounds have you got?

Ethan: [Checking his magazine] Enough.

[Ethan jumps out and fires in slow motion, killing the henchman with a single shot]

Ethan: [tosses the gun away] Now I’m out.

Cruise keeps going, and going, and going….

The team dynamic is greatly improved from the previous entries. Hunt’s teammates are given roles in the operations with greater importance. Being more active in performing on the field, even computer expert Luther (Ving Rhames) becomes more of a active participant in the operations than he did before. Luther expanded role in this third outing works in favor for the film. Providing not only a character Hunt can open up to, but also provide levity to the story without coming across as a rewritten character. Most important of all, Luther gets the characterization he deserves finally given viewer more to his character. Instantly making Luther the most fleshed out recurring character in the series.

While the effort to humanize Ethan Hunt is admirable it also suffers the same issue that Mission: Impossible 2 suffered from; Ethan Hunt settling down with a wife comes across as rewriting the character instead of a natural change. There are a few scenes between Luther, and Ethan Hunt talking about their love life that try to remedy this. Luther provides insight on his failed relationship while not forgetting to mention why it likely won’t last. Hunt other team members tell him the same, but not quite as much as Luther does. This change doesn’t entirely work since Ethan Hunt is hardly shown being with his fiancee making the romance feel less genuine, and Hunts motivation to go back on active duty for the IMF is kept on a surface level. A person vendetta is enough to carry him, but not enough to justify why Hunt would actively put himself in riskier situations considering he loves that Julia reminds him of a life before IMF. In two instances, the movie overlooks details in order for the story to progress, and not come to a halt. Resulting in one escape sequence making you wonder how this voice changer was able to copy someone else’s voice so quickly when in a operation it took minutes to prepare. There’s also an operation in Shanghai which instead of seeing first hand will only witness the end result.

There’s also the return of a plot twist from the first movie, and it’s not the face mask usage that is the twist. It involves there being a traitor within IMF (again) which would have worked if the story better foreshadowed the twist. When the traitor is revealed, who it turns to be comes across convoluted within a film that is more narratively coherent than it predecessors. There’s also two new team members introduce in this movie, but unlike Luther, or Benji (Simon Pegg) who both manage to leave an impression despite their screen time the first time they appeared on screen. Declan Gormley (Jonathan Rhys Meyers), and Zhen Lei (Maggie Q) don’t offer anything in the way of personalities. They simply go onboard with what Ethan, or the story says. Coming off as mechanical when movie tries to hint at some intimacy between Zhen, and Gormley. With the already mentioned of the mole in IMF being reused also expect disavowed agent Ethan Hunt, and saving the world last minute, but they remain a stable in the series, and reuse in later installments. So me criticizing part three for these conventions would be unfair, but everything else around these plot points is fair game. Especially the happy ending that attempts to overlook the fact that Hunt’s wife is just cool learning about her husband secret.

Helicopter flying through flames. Pretty cool in my book

Tom Cruise delivers his best performance in the franchise in this outing finally giving Cruise the perfect material that offered him plenty of range missing from the previous two movies. Providing plenty of scenes where Tom Cruise gets to show Ethan Hunt more vulnerable side. In particular, his sequences with Michelle Monaghan you get to see Cruise at his more vulnerable, and most uncertain than he ever portrayed Ethan Hunt. It’s this reason the opening sequence has the great hook that it does. When carrying the weight on the drama Cruise delivers some great comedic banter between his co-stars. Delivering his comedic lines perfectly with his reactions. He also gets some great one liners, and he delivers making them sound cool, even if they are cheesy. As with the previous installment, when it comes to the action sequence Cruise looks just performing them as he is in the acting department. Yes, like in all his movies, you will eventually get to see a long take of Tom Cruise running in the movie. Very few actors can make running look as good as Tom Cruise.

Philip Seymour Hoffman plays the film villain, and hands down is the best actor who played a villian in the Mission Impossible franchise. He is everything you want in a good villain; snarky, ruthless, and all around intimidating in his delivery despite his appearance. The intensity in the scenes between Hoffman, and Cruise are the best bits of acting this series will provide. Just witnessing the two of them be able to deliver intensity into the movie in a matter of seconds is a sight to behold. Easily being the most memorable villain on just Hoffman acting abilities alone.

Ving Rhames role is graciously expanded upon. Proving reliable, like he has before, of being able to deliver comic relief just fine. Rhames is just a joy to see on screen. Simon Pegg who eventually becomes a mainstay makes his first appearance here, but has very little screen time. Like Ving Rhames before him in the first entry, Simon Pegg is able to make an impression, and feel like a natural fit in the series. His smooth delivery of his comedic lines, and making expository dialogue fun to listen through his energy is why he stayed around. Michelle Monaghan does mostly play a supportive role in the emotional sense, but does get to perform in the action in the climax. Her character doesn’t offer her much to do, but she makes it work.

Laurence Fishburne, and Billy Crudup also make appearances in the film in supporting roles. Fishburne comes out looking good in the movie, somehow making his wholly serious portrayal work even he’s poking fun of the other co-stars. Billy Crudup is also good, until the climax where he becomes hammy. Jonathan Rhys Meyers, and Maggie Q on the other hand are the weakest link in the cast. Neither of them try to provide their characters with any sort of personality. Making them come off as bland.

This is fantastic scene in the movie. Easily a highlight

J.J. Abrams helming the results in action sequences in that movie lack complexity in their choreography, but more than makes up for it in other areas. For starter, there’s a lot more stunt work involved in the sequences. In my favorite moment of the movie you Tom Cruise hanging from the side of a car trying to shoot vehicle pursuing him, and his team. Resulting in the vehicle crashing into a truck. In another moment, Tom Cruise character only has a single bullet left in the chamber of his gun, shoots a person, and they fall out of window. Small instance of stunt work like these make the action sequence appear more eventful. Doing as much as possible to minimize the usage of CGI. There’s some shaky cam involve, but nothing to outrageous. However, there are the rare occasion where the camera visibly is readjusted to get the frame of the shot right.

The film’s first big set piece in a factory that moves to a helicopter chase sequence escalate things in a manner. Abrams always keep the audience inform in spite of the chaos of endless gunfire that follows. Keeping things simple enough to follow. As the film progresses, Abram is able to keep the action set pieces large in scale. There’s a fantastic sequence on a bridge that shows Abram ability to get inventive in isolated location. Unfortunately, when it comes time to finally have the climax it’s the film smallest set piece. Abrams tries to remedy this by having Tom Cruise get tossed around the set, and having break many props in the process. In terms of scale, it’s small fry compare to what came before it.

Michael Giacchino takes care of composing duty, and his original music works for the scene they’re used. It’s unlikely you’ll remember a single track from the movie that isn’t “We Are Family” by Sister Sledge. Finally, yes this the last thing I’ll mention promise before ending this review. There’s a song called “Impossible” by Kanye West featuring Twista and Keyshia Cole which is an improvement over Limp Bizkit, but is also forgettable. That’s probably the reason why it wasn’t used in the opening credit sequence.

Mission: Impossible 3 successfully combines elements from it predecessors into a entertaining third outing. Providing a good story, great performances from lead actor Tom Cruise, and giving him a great villain to play of in Philip Seymour Hoffman, and delivering on its action set pieces. It’s a great action blockbuster that gives you what you expect, and a little bit more.

Rating: 8/10

Cinema-Maniac: Ready Player One (2018) Review

Ready Player One is set in a future where a virtual reality world called the OASIS is the biggest thing on Earth. One of its deceased creator challenges its users to find all his Easter Egg to give the winner his fortune. An unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt against evil corporation IOI. Very sloppily written, the best time Ready Player One shines is when it doesn’t try to encompass everything out of reach, and simply focuses on being a piece of entertainment. It’s breakneck speed ensures there isn’t a dull moment to linger on in its nearly two, and a half hour runtime. Something else that’s somewhat of a positive are the pop culture references, for the most part, are simply there. Not drawing too much attention to them despite the large number of iconic characters to be seen on screen. There also isn’t a reliance on pop culture knowledge to understand the story itself. Granted, even knowing just a little bit helps add to the appeal of Ready Player One. For me, it was the The Holy Hand Grenade reference from (possibly the greatest fantasy film ever made) Monty Python, and the Holy Grail that was a nice surprise.

Not even a DeLorean capable of time traveling can outrun the almighty King Kong.

When it comes everything else this film does plenty of things that works against itself. Mostly how it feels disingenuous in delivery its “experience the real world” message. For starter, the lack of proper world building in the real world. Sure, the OASIS is a fantastical place where a majority of people go to avoid the harsh reality of their life, but those harsh realities are simply ignored in the film. Most you’ll get about the hardship of this future is the main character Wade lost his parents, and his current living conditions. There are also other aspects of the real world that are explained, but just like Wade parents, they come across more as decoration since it rarely shows the real world effects on its people. I sound like I’m being oblivious that this was the intended effect, but when Wade himself doesn’t show any concern for a family member dying within the film why should I care. Wade obviously doesn’t since all he does is simply acknowledge his caregiver has died, and moves on from it. Nothing about that plot point was handle properly making it seems like constant addiction to escapism is great.

Another issue is not enough time is spend in the real world itself for its message to be meaningful. Wade, and the other characters are rarely seen in the real world absorbing its actual beauty like it proclaims it has. You can claim something all you want, but when you don’t actually show it the results is disingenuous. Where’s the connection Wade makes with the real world, and its people. Absent within the film. Bringing up another point that if it wasn’t for Wade constantly ignoring the real world he would have never made the connection with his online friends in the OASIS. Reiterating, “experience the world” in this movie is forced. Why would people prefer to live in the real world if they live in slums over living in the OASIS where they can obtain anything they want. There’s a case to be made for living in the harsh real world, though you won’t find it here.

Speaking of disingenuous, all the pop culture references in the film just feel like they exist. While I’m sure Spielberg, and his crew has some connection to some of the things he references, all of it becomes homogenize. There’s no connection to a majority of it. If you notice something you love on screen chances are high it’ll disappear as just quickly. This issue applies with the pacing disregarding characterization. The most fleshed out characters are the creators of the OASIS; Ogden Morrow (Simon Pegg), and James Halliday (Mark Rylance) whom are given more characterization than the main cast themselves. Morrow, and Halliday also have a more fully realize conflict that gets explored as the film progresses unlike the main storyline that refuses to evolve. A big contributing factor to this is Halliday, and Morrow storyline deals with a trouble friendship whereas the other main storyline becomes save the world ordeal from the onset.

Even the main character more engaged in this subplot than their own.

When the movie begins, the OASIS users are competing against each other, and evil corporation IOI desires to win the grand prize. By the time the movie gets to it climax, this storyline has hardly evolve into anything beyond its introduction. Contributing more to a lackluster storyline is the writing makes the villains idiotic, and a plot point later on in the movie removes the whole underdog trait of its hero. It’s simple for IOI to find Wade Watts address, but it’s nearly impossible for the same group whom seemingly have dozen of drones ready to blow up anything be able to find Wade later on in the climax. This includes the fact there surveillance cameras seemingly all over the world which is a bigger leap in logic that IOI can’t find them. Like I wrote earlier, when Ready Player One is simply a film focusing on being a piece of entertainment it succeeds, but when it wants to capture the emotional investment it fails. If you removed the whole “experience the real world” message from the writing than issues regarding the lack of world building is gone. Instead, it prefers escapism over reality, and during the portion of the story it actually accepts that part of itself is when it’s a good film.

Tye Sheridan plays Wade Watts, and while his performance here didn’t impress me as much as he did in Mud (2012), he’s fine overall. While his enthusiasm for the OASIS is an aspect of his character he sells to the viewer successfully, everything else about his character ain’t as easy to sell. Some of this can be blame on the screenplay, like the scene where Sheridan is supposed to mourn the loss of a family member for less than a minute before it moves onto something else. When this happens, it’s reasonable he wouldn’t be able to emotionally capture what his character is feeling, and portray that in a way where the viewer can become further invested. Other times it’s purely his fault, like typically falling back to wide eyes facial expression to constantly show how he’s in awe of everything he sees. Showing some more enthusiasm would help him, though he also lacks the ability to get across the urgency when the film needs it.

Tye Sheridan co-stars are a bit better in balancing the area Sheridan lacks. Olivia Cooke for example is able to properly get across the urgency of a scene. There’s a moment in the second half of the film where she discovers where she’s being held captive, and her reaction is something appropriately out of a horror movie. She’s more rounded as an actor in this movie because she’s able to do a lot with little. There’s Ben Mendelsohn, T.J. Miller, and Hannah John-Kamen whom play the evil adults. As expected, they play the evil adults as you would expect. Mendelsohn especially comes off the most slimy, though the direction is a bit confused if he should be over the top evil, or humanized evil. Making it impossible for Mendelsohn to be memorable as a villain. T.J. Miller, and Hannah John-Kamen are the opposite simply being over the top in their portrayal. Being more than comfortable to make their characters come off as cartoons, and it works surprisingly well in the movie because of the already silly nature of the movie. There’s also the remaining co-stars of Win Morisaki, Lena Waithe, and Philip Zhao that make up the rest of the heroes. These three actors material are the most limited making them go into autopilot acting when the second half hits, but they do their best. Not on one point did I feel these three actors were phoning in their performance in spite of the thankless material.

This has to be the strangest assortment of characters I’ve seen in movies recently.

The two best actors in the movie without question are Simon Pegg, and Mark Rylance. Simon Pegg took a while for me to notice as it’s simply something I didn’t expect from him. Relying more on his dramatic side as a actor Pegg eases his way through scene after scene. Being effectively dramatic in everything without ever over acting, or stepping out of bound in his role. However, Mark Rylance is even more impressive in his performance. Without question he is the complete package as an actor in the movie; sincere, funny, believable, and captivating all at once no matter what scene he is. Rylance, and Pegg scenes together are easily the best in the movie, but Mark Rylance presence alone is something that hugely benefited Ready Player One. Without MarK Rylance in the movie, what would be missing is the only actor who is able to capture something heartfelt within a script that feels artificial with it dramatic scenes.

Steven Spielberg visuals aren’t convincing, but within the context of the movie they are more than fine. Since everything takes place in a virtual reality world accepting the plastic looking visuals is easy. What’s not easy is the blurriness that comes whenever the camera moves quickly. Whenever there’s too much going on screen it’s difficult for the camera to stay focus, especially in the climax of the movie where the blurriness makes it difficult to spot the many pop culture figures. However, during the action sequences the freedom of placing the camera wherever Spielberg wants leads to some visually stunning setpieces. In particular, the racing sequence in the beginning in the movie is a sight to behold, especially the amount of effects on screen all at once. My favorite set piece involved obviously involved Mecha-Godzilla (because I grew up with the franchise) fighting against two other iconic robots which I won’t spoil as it best to experience that fight blind. When it comes to music the original pieces of music was during the climax, and a orchestrated piece played that sounded similar to the classic Godzilla theme music. Aside from the obvious insert classic songs from The Bee Gees, Blondie, Prince, and a few other from the era. Music in the movie is nothing that stands out.

Ready Player One is a decent blockbuster made by Spielberg, but misses the magic that made blockbusters like Indiana Jones: Raiders of the Lost Ark, E.T. The Extra Terrestrial, and Jurassic Park special. Missing is the heart, and the connection the filmmakers had with these creations, and recreating the joy it brought to them to a whole new audience. Gone is the wonder, missing is the heart, and absent is the emotion the story attempts to capture, but gave up on at some point. Whenever Ready Player One isn’t pretending it’s something it is not the film is enjoyable experience, and thankfully it’s like that for a majority of the run time. Disappointing yes, but also very entertaining.

Rating: 7/10

 

SPOILERS BELOW ON SOMETHING THAT BUGGED ME

I didn’t know where to put in this my actual review since it’s not detrimental enough to cripple the movie quality, but it did bug the Hell out of me. When the climax draws to a close, and Wade Watts bids farewell to James Halliday. Wade asks Halliday what he is, and Halliday simply leaves without answering. If Wade encounter with Halliday was simply explained away with it being programmed for whoever won the challenge than I would have been okay, but Halliday says it not. So, either James Halliday became a sentient being that somehow managed to live in a video game, or Halliday actually alive somewhere in the world, and is a big dick for making his best friend, and everyone he cares about that he’s dead. Either way, that minor detail bugs me to end.

Nitpicking A Joke (Contains Spoilers)

When the heroes are off visiting the world of Stanley Kubrick’s The Shining, there’s a moment where Aech, whom is presume to be male at this moment, making out with a corpse he temporarily sees as a beautiful woman. Once it reveals that Aech is a woman, the scene immediately didn’t make sense. I mean, there wasn’t anything in the movie to indicate she’s bi-sexual, or a lesbian. It was something that left me scratching my head. Sure I laughed when I saw it, but when thinking on back on it. This moment just feels like it got overlooked during the writing process.