Tag Archives: Pointless Remake

Cinema-Maniac: Brick Mansions (2014) Review

There were two reasons that convinced me to see “Brick Mansions” aside from liking the original “District B13”. The first was David Belle who for some reason decided to play the same character twice was in front of the camera again. Second reason is I like Paul Walker. When it came to playing stoic heroes he fit the bill understanding these kind of roles. While this was the last film Paul Walker completed, thankfully it’s not the last film he appeared in (thank goodness for Fast and Furious Seven). This remake is a lazy carbon copy of the original adding insult to injury are it overabundance of action scenes that makes it feel longer than it actually is.

Brick Mansion follows an undercover Detroit cop navigating a dangerous neighborhood that’s surrounded by a containment wall. With the help of an ex-con in order to bring down a crime lord and his plot to devastate the entire city. If you’ve seen “District B13” you’ve seen “Brick Mansions”. Nothing about the story is given the tiniest thought of effort as it copies every plot point used in “District B13”. It’s one tedious experience for fans of the original film as it offers no new surprises and the few insignificant changes (like the hostage this time being a former girlfriend instead of a character sister) it does make are pointless. Most astonishing for this viewer is how it manages to contains even less story. The difference here is primarily quantity in action. Whereas the original film knew when to take a breather no matter how small it was and not over saturate itself with action scenes. In “Brick Mansions” in my timing experiment (that’s how bored I got) the longest it could last without an action sequence is almost nine minutes and the shortest it could last without an action scene was around fifty seconds. Now does that in any way sounds like good pacing with that little amount of breathing room. In execution it’s far worse whenever you expect the story to return at any moment. Characters are either getting chased or fighting repeatedly since there’s little substance to sustain viewers attention.

If you’ve never seen the original “Brick Mansions” feels like an endurance test. This is one of those instances where highlighting characters and story become part of the issue. Since it doesn’t have a single engaging character the overabundance of action scenes that come one after another become yawn inducing. With an overabundance of action scenes the story is not given any time to developed naturally. A double edged sword crippling itself in anything it attempts to do. The writers of the remake are so indolent in their position they don’t bother to write good original dialogue. “Sometimes you don’t gotta be a rocket scientist. You just gotta have a rocket” is said by the film villain while he’s cooking after revealing his rocket. All characters are stock action archetypes, filled with cheesy moments poorly contrasting the more gritty side of the material, and every scene not involving our characters fighting to remain alive pulls out action cliches after action cliches. It believes its clever throwing off audience expectations with it twist, but in this remake they don’t work as sufficiently as they should. Much like everything else in the story it appears nothing translated well in this remake from the original film.

Camille Delamarre (editor of Taken 2) makes an unengaging action movie even worse with his inability to film or edit an action scene properly. Action scenes ranges from meh to passable in terms of staging and choreography, but with Delamarre direction he downgrades what should have been solid set pieces. They all generally suffer from being over edited having too many quick cuts that makes it look erratic. There’s no fluidity to be found in how these action scenes are cut together. What makes this worse is you know there’s some good stunt work to enjoy from the setup provided in them, but is framed to close or cuts off an important visual from your sight. Paul Walker is likable in the leading role, but his role doesn’t demand much of him. Walker remains stoic throughout the film letting his supporting cast react to what’s going on around them. David Belle performance is passable. His lines are dubbed (some bad lips syncing included) so when he has to talk it shows his inexperience, but where Belle shine is in his action scenes. He performs them convincingly whether he’s performing parkour or doing a fight scene. Unfortunately Belle and Walker don’t have any chemistry with one another. There’s always a disconnect with them whenever they have to interact with one another. It doesn’t help the actors we follow most has only one that could act and the other could only do action scenes convincingly. RZA plays the film the villain and not a single line said is convincing. Granted his lines are terrible, but he plays a clearly cartoonish villain rather straight. Instead of being loose and over the top he delivers everything at face value. The rest of the supporting cast is also passable without outshining the leads.

Brick Mansions short and simple is the definition of indolent remakes. It copies the story without significant changes and since it wants to highlight its characters it makes it that much more noticeable how weak they are. More than half of the action scenes are copied from “District B13” except this time are poorly framed being unable to enjoy the stunt work and overly edited that it become distorted. If one were to remove the fact that this is Paul Walker last starring film there’s nothing much of value to appreciate once it ends. By the end of the film the first thought that came to my mind was “Thank goodness this wasn’t Paul Walker last movie”. Just for even making me think that is enough for me to consider “Brick Mansions” a failure of a film.


Cinema-Maniac: Japanese Hell (Jigoku) (2000) Movie Review

The 1960 original Jigoku (Japanese word for Hell) is not a film I would consider a classic due to it’s unintentional humor to its serious plot, but it’s a film I would have no problem recommending because story structure is perfect for it, has amazing visuals (especially the impressive third act), and a meaningful message through relatable human actions. As for the remake I could only say bad things about it to the point that I would be send to Jigoku. It’s soulless from the unsalvageable story right down to the half baked force message will encourage viewers to do certain things to the filmmakers than make you think about your way of life as intended.

Japanese Hell is about the goddess of death name Enma (“terrifying”) giving a tour of Hell to an innocent young women and showing the consequences of sinners past, present, and future. I’m going to give a scenario to best get across why I hate this story and the meaning it’s hoping viewer will find in it soulless message. So picture a sick dog who has a terrible, incurable disease suffering for days. It’s constantly coughing up blood, unable to eat anything solid, and crying on a day to day basis from pain. Finally having had enough of seeing the dog suffer you decide to euthanize the dog much to your displeasure. According to this film you earn your ticket to Hell. The fact you ended a living creature life with a good intentions and you had no pleasure in putting it down doesn’t matter one bit to this film. Things like morals are a joke in this film. You either have to be 100% perfect good or 100% percent evil with no middle ground to be accept in either Heaven or Hell. If the film wasn’t trying to say something towards its audience this simplistic view on humanity would have been fine, but it deliberately set up to send a message you have to follow someone to be “saved” by force not will. Conformity is not the answer for everyone as it could work the other way making people do questionable activities. Oh the film ending….okay one of the deadly sins is Lust and the last thing we see are naked women. Why after taking a tour of Jigoku (Hell) would the last thing we want to see are naked women? Backward thinking like this is one of many, many, many, many, many, many, many reasons this film story is worthless.

Personal hatred aside here are other reasons why it’s an unsalvageable story regardless whether or not you seen the original. Narrative structure is messy, sloppy, and nothing connects it together. As a traditional narrative it doesn’t work because it has no central protagonist and deviate too much from the central characters preventing any meaningful to be gain from their journey. In the form of an anthology narrative it’s a bigger disaster because it only has two different story making it very evident which had more focus. One of the two sinners story is short while the other one overstays its welcome. The first sinner is a person who takes pleasure in killing young girls with no redeeming values. Automatically there’s the main problem as this kind of character will relate to a slim number of its viewer if any at all. Never does it bother to look into why the sinner temptation controls him and never bother to explore why this sinner is unable to gain a positive change. This also applies to the second sinners which is a false religious group who scam their believer out of millions of dollars for personal gains. At no point does the film attempt to use these characters wrongdoings as a correlation to how some outsiders might view religion in general. None of the characters are ever developed only being split into good or evil with no reasonable middle ground nor a reason why the character are who they are. Also, for a film with its setting in the title it does a terrible job incorporating Hell into its story. We never spend that much time in Hell never coming across as this unspeakable place of never ending sufferings of the essence of evil. Not to forget the most annoying thing is yes the lord of evil Enma who punishes people comes across as a hero. I’m might be looking to much into this, but this film supports the goddess of death more so than it does any positive religious figures.

Production values are a joke. Upon entering Jigoku and traveling on the Sanzu river we see a gate shape like a demonize women va….better that I keep it vague. It also has rejected costume from I could only assume are for a lost gritty reboot of “The Flintstones”. Apparently the minions of Hell are a compilation of cavemen with horns, a horse-man creature, and a very disfigured old man. The attention to detail given to these costumes is impeccable rivaling those you would see at a cheap costume store. That same amount of care also went into creating Hell which is constantly being covered in fog only adds an extra layer of detail to hide the blank canvas of the sets. Gore effects are cheap made more evident when the sinners punishment take a long time to get their point across. Another trait aside from the fog are the constantly spinning backdrops that attempted to give the allusion of an otherworldly place, but just makes the viewer think how the poor use of it budget was this bad. Acting like everything else is of the lowest quality. Ranging from over the top to no effort was even into put into that performance. If anything this film does serve as a blueprint on how not to spend your money in a low budget flick. It’s nothing short of amazing how director Terui Ishii manages to not only destroy all essence of good filmmaking, but absolutely have no understanding of the original film execution of its message nor the value behind the existence of Jigoku which is quite sad.

Japanese Hell is about as soulless and phoned in you can get with a horror remake. Nothing that made the original worthwhile is present and this new version of the story does nothing more than encourage its viewer to do things to the filmmakers it wants us to avoid. It’s a film that both believers and non believers could agree is unsalvageable, soulless, preachy trash. If you ever have more good things to say about Satan than you do the actual film focusing on Hell you pretty much know just how little hope you have left after it’s all over.


Cinema-Maniac: Prom Night (2008) Review

Ah, what can I say about Prom Night that hasn’t been said. It’s a watchable movie, that’s both new and 100% false. In what world did these people think they were scary or appealing too when this cliche “horror” movie was made.

What can I say about the awful and non intense story line, nothing interesting about it at all. I’ve seen the Friday the 13Th movies, which i’m force to watch at Halloween parties, even those movies have some redeeming value. Trying to explain why this movie story line was un-suspenseful and boring is like trying to make an Onion cry.

What about the cast, it’s like watching the world slowest train wreck for two hours. They can’t act let alone get our attention. Now I owned the DVD, which I got as a present, and I can tell you the extras are a piece of trash and a watse of your time. Is there any redeeming value, no.

There more, unlike Jaws which masterfully uses the haunting music to keep us in the edge of our seat, the soundtrack usage here gives away any suspense. One thing I complain about horror movie is that there to much blood in that genre, but in Prom Night, my complaint is that there is a lack blood. This movie is the reason why the horror genre is dying slowly and painfully,and unfortunately there many more like this.

Did this even need to be remade, because I never heard anyone talk about the original. In the end, it’s a movie that most likely wouldn’t even be found in a 99 cent store and will forever be lost in obscurity.