Tag Archives: OVA

Some Thoughts On: Wounded Man (1986) OVA

Sometime you look at a mirror, stare at your own reflection, with Michael Jackson “Man in the Mirror” track playing in the background, and contemplate the meaning of existence itself. Very few anime will ever make you think on a deep, and philosophical level. Encouraging a change in your that you might have never expected. Wounded Man, is not that anime. It’s from the glorious era of the 80s which seems to be littered with endless amount of bonker OVAs. As usual, much like the coherency of Wounded Man, it’s all just a scattershot post of thoughts.

Before I continue, I should establish one of my two (the other is Ashita no Joe if you’re curious) favorite manga of all time is Lone Wolf & Cub by writer Kazuo Koike. The man who also wrote the Lady Snowblood manga, and wrote the film adaptation which inspired Quentin Tarantino Kill Bill series. With these two manga alone, Kazuo Koike could have simply retired, and be widely remembered as one of the great storytellers in manga. Obviously he continued given his success, especially from the world wide acclaim for Lone Wolf & Cub. Yet, somewhere in his career he found a fascination with American culture, and created some idiotic manga which eventually got made into OVAs. One of these is the schlocky, and very, very dumb Mad Bull 34 enjoyable for all the wrong reasons, and also today’s OVA is just as dumb. Just with the entertainment factor, and a giant guy flipping over a tank missing from its insane plot. Oh yeah, it’s manga also got licensed by Comicone, and yes, you can officially buy the manga in English. Baffling considering, from the images I quickly looked over online of the Japanese version, seems to be a faithful adaptation of the same terrible content. With less sex presumably because one of the random volume I clicked on had just panels, after panels of what I could only interpret as tragic sex. Sometimes the world doesn’t make any sense.

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The most realistic thing in Wounded Man

Wounded Man attempts to tell the classic tale of the Vanguard of Soccer (who actually plays football), Rio Baraki, seeking vengeance on a porno company that took the life of his girlfriend. If that sounds too ridiculous to take seriously, don’t worry because the anime will make sure you take it seriously in all the wrong the ways. For starter, the first appearance of our Vanguard of Soccer is during his random encounter with news reporter Yuko Kusaka who goes to Brazil for a news story about gold in a village. Now how would one go about introducing our lead character in the first episode? By obviously attacking the news reporter, raping her, and later claiming after he’s done raping her that he did it for her own good! To paraphrase, the rape he gave her is only a small fraction of the dangers she could experience in the amazon of Brazil. This happened in the first six minutes of episode 1, which might actually be the quickest an anime I’ve seen getting to a rape scene.

Once it introduces Rio Baraki in this manner it’s impossible to eliminate the bad taste it leaves in your mouth. This wouldn’t be an issue if he wasn’t the main character! Not only that, but the story clearly wants you to root for Rio Baraki as he conquers many challenges until the day he finally gets vengeance. Providing a sob story about how the woman he loved got killed after a series of stupid events. One of them including in episode 1, Rio swimming in Piranha infested water as a form of apology for raping the news reporter. He comes out unscathe, and the news reporter forgives him! Revenge is solid motivation for the story, except for the fact Rio Baraki rapes another woman in episode 4, and in the span of five episodes falls in love with three other women. So he’s unable to differentiate love, and lust much in the same way he’s incapable of keeping his dick in his pants. How am I supposed to sympathize with Rio when every time he fucks a woman he later falls in love with them. Everytime! I’m suppose to feel sorry for this guy? Yeah, that ain’t happening.

What story Wounded Man does offer is purely nonsensical going from point A, skipping a couple of steps, and finally end up at the ending credits. It’s simply one stupid event after another. One moment you’ll Rio self inserting himself into a young woman who he tied up to a wooden boat steering wheel in order to get her on his side (don’t ask), and next thing you know you have a hysterical woman laughing while the boat is on fire. My mere description of this moment does it no justice. It’s something else entirely to witness it, and just be in awe someone thought this was something that should have been animated.

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Fat guy here, great shot! Should have be the MC

Would you believe me in episode 5 there’s a random tangent about Helicopters leading in to a pointless fight between two war veteran because one of them shot down a Helicopter. Aside from being completely stupid, it’s also lacking in a sense of fun. It’s takes itself way too seriously despite the fact it’s filled to the brim with stupid writing. For example, in episode 2 Rio is able to pick up an entire tree with ease, and throw it as Indian tribe! Not convince it’s stupid enough? Well, the news reporter Rio raped in episode 1 falls in love with him despite her stating she hates his guts for what he did, and will be apart from him until she gets revenge before confessing her love for him! In episode 4, he thinks the way to get Misty, a young assassin, on his side is by tying her up on a boat wooden steering wheel, and yes, self insert himself into Misty. In case you’re wondering, yes Misty too also falls in love with Rio!

Now before the plot twist in episode 5 which makes the whole series feels utterly pointless in viewing because everything beforehand has to be taken at face value. Think about it, before the plot twist you’re meant to believe there’s a evil porno company going around kidnapping famous people, and forcing them to into porn for large amount of profits. Watching episode, after episode thinking about the fact we have former football player going up against evil porno company for killing his girlfriend. This is the kind of stuff you wouldn’t expect a sane person to come up with, except for the fact someone did, and nutcase at Comicone thought it was perfect to license, translate the manga, and officially sell it! Once there’s more revealed about the porno company it gets dumber since it eventually takes Rio to the good old US, and by the last episode has a quick word with the president of the US. After you get the plot twist, it doesn’t make any sense since it just opens a bigger can of worms.

The twist is worthless since there’s so little to Rio as a character, and wholly unlikable through his action that nothing felt gained in his journey. He’s a single minded character with no depth. If that was the point of Wounded Man that would be one thing, except for the fact it was not. This could have been remedied with interesting characters, except for the fact there aren’t much to the other characters besides the bizarre assortment of situations they get into.

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Where do I even begin.

With everything I’ve described you would also be misled into thinking this is an entertaining series to watch. When the bonker events aren’t happening there’s plenty of more dead air to fill the space. Most of it feels pointless. Talking about things I’ve already forgot about. Except for the odd insert of possibly moving away from revenge who you know could lead to some kind of development, but doesn’t since Rio is single minded, and there’s no insight provided into his mind. Well scratch that, he does love to fuck a lot, regardless if the woman wants it, or not. What a man!

One thing that would have improved the experience, though not by much, would have been watching this with better English subtitles. At the time I chose to watch Wounded Man I saw it terrible fansubs. Allegedly, the version I saw was from a Chinese knock off DVD, and simply use Google translate to for the subtitles. They are of poor quality. Not poor enough to prevent you from the gritty details of the story, but poor enough where it’ll feel like it’s different langue to you. On the rare occasion, the bad subtitles add some fun to the OVA for how confusing it is. My favorite example is Rio saying “There’s a Japanese saying. Shower, or woman. It doesn’t matter”. What is that suppose to mean! There’s also another moment where bullets clearly hit Rio multiple times, you’ll get shown the doctors removing the bullets from Rio body, and the doctor comes out to say “It’s okay. Bullets always miss the target”. No, I have idea what the people, person were smoking when translating this, because I’m pretty sure they weren’t smart enough to know how to smoke.

To further add insult to injury, after I finished the OVA I quickly discovered on YouTube someone provided better subtitles for Wounded Man. So naturally I went back to see what the Japanese saying in episode 1 was, and again, I still have no clue what the heck it means. This time, the saying is “Rain in buckets, or a woman. Neither one, or the other, doesn’t matter”. At this point, the only way to truly find out what Rio meant is either I learn Japanese, or buy the manga. Obviously, I would prefer the former because ain’t no way I’m obtaining the Wounded Man manga…at least this moment. It can easily be found on YouTube, and with a better comprehensible translation than the version I saw. However, I recommend going with the worse subtitles since you’ll get some unintentional laughs.

Now with everything I’ve said about Wounded Man, you’ll be wrong to assume I’ll tell you to skip this. No, quite the opposite because I suffered through this trash of an OVA, and I might as well encourage you to seek this out to share in my suffering. See everything it has to offer from cheap animation, overly dramatic music, and over the top voice acting. Experience it in Wounded Man!

If I were to give this a rating I would say a 1 out of 10, which still seems to high!

Anime-Breakdown: Darker than Black: Kuro no Keiyakusha Gaiden (2010) OVA Review

The first season of “Darker Than Black” left the exact fate of two of its central cast in an ambiguous state. This four part OVA continues the story past the first season finale while serving as the transition into the new direction second two would take in Ryuusei no Gemini. This OVA combines the strength of both season into a nice package telling a compelling story, interesting leading characters, and great action scenes.

Good: Fills the gap between seasons 1 & 2

This four part OVA can be summarized as a “couple on the run” sort of story. Hei and Yin are trying to survive daily lifewhile escaping from an organization called “The Syndicate” that is hunting them down. There is more to the story than that outline. Primarily showing the growth of Hei and Yin bond and learning why everyone wants Yin. Despite that description the tender moments Hei and Yin share together won’t come across as romantic. How it plays out is more tragic with events appearing to be much bigger than everyone within the series thinks. In just four episodes it takes a relatively small conflict progressively giving it a grander scale in every passing episode. Forcing Hei to challenge himself mentally if the greater good is more important than personal desire. The fact that this isn’t Hei first time making a decision around the same scale practically serves as an essential character moment for understanding his change in personality in season two Ryuusei no Gemini.

While short Gaiden does hint on some things to come in season two. For starter, there are brief instances of over the top powers being shown. One example being a contractor that can cause explosions by blowing bubbles. Such powers aren’t a highlighted issue because they don’t stay on screen for a long time. However, they provide the best moments of animation. In particular, the fourth episode, which is the climax of this whole story and allot things blow up literally and narratively.

Another reason to watch this OVA for fans is it will fill in the gap between season one and season two. If you go straight into Ryuusei no Gemini, there will be plot points that won’t be addressed. In particular, how Yin got in the positioned she did and why Hei personality changed drastically from the last time he was seen. Also it’s a transition from the old noir direction into the more action oriented direction in Ryuusei no Gemini in each episode. Its start like season one with a noir beginning and ending with Ryuusei no Gemini more action oriented direction.

A negative to the “Darker Than Black: Gaiden” OVA are the one-shot characters. A trait that didn’t carry over from the main series was characterization for supporting characters. So the supporting cast feel like tools to move the story forward. This can be forgiven because of the length of Gaiden. It is noticeably rushed in certain scenes. In the first episode, Hei is ambushed at a hotel he’s staying at by two contractors and it just cuts to another scene in the middle of that fight. While it’s not important in the story it is telling, a detail like that can’t be left to the viewer imagination to fill in especially considering what sort of ability that specific contractor has. In the final OVA things end with a hook leading into the second season instead of being self contained. The final scene in Gaiden can be summed up with the word destiny. It’s just a matter of time before it actually occurs because no matter how much the anime wants to stray off from that path it’s written in destiny.

Mixed: Only two characters get developed

The focus of this four part OVA is on Hei and Yin relationship growing more intimate with one another. Building on two already established becoming more individuals. Given their roles a greater sense of importance once episode 3 and 4 come around with a huge revelation. By the end of Gaiden Hei becomes a more dynamic character. Changing drastically by the end of Gaiden with it being shown with a simple visual that gets across how the following events impacted him. Yin might say little in four episodes, but it’s the simplicity of her words that has lots of meaning.

Aside from Hei and Yin the OVA doesn’t focus on any other character. Most of the supporting cast will leave something to be desired especially Mina Hazuki and Youko Sawasaki both of whom are in season two. Showing up with little explanation and no bearing on the story. If it’s not Hei or Yin, then there is nothing more to the character once they get shown.

Good: Receives the same treatment as the main series

Bones Studio is once again behind the anime series and the production values remain high. The backgrounds are diverse jumping from the industrialized cityscape, to a small tropical island, and a couple more location in its short run. Backgrounds are detailed like in the first season with distinguishable character designs for the entire cast. It does have a few notable design choices that are purely for fan service, though are not on screen for a very long time. Episode two contains the most fanservice out of all the episodes with the character Xiao Jie (whose is name not mentioned in the Gaiden’s OVA) stripping clothing as part of her payment for using her powers. Beyond that example, there’s no other fanservice moment in the same degree.

One area the four part OVA improve on from the first season are the action scenes. Like in the first season, the action scenes are restrained in how flashy they are portrayed for three episodes. In the fourth episodes it ditches the restraints it gives itself going for an explosive climax. The major upgrade in the OVA is the choreography for the action sequences are quicker. Utilizing all sorts of framing technique to capture the quick movement. They are animated smoothly displaying Bones Studio at the top of their game in these action sequences. Whenever Hei dodges any sort of projectile attacks his movement never takes any notable shortcut in the animation. The staging of them also improved thank to Hei having to think on the fly more quickly in his combat situations and no dialogue interruption during these action scenes to disrupt the flow.

Voice acting from both the Japanese and English cast remains good. Once again the English dub script remains as faithful as possible to the original Japanese script. The changes that are made are barely noticeable in the story it is telling regardless what version is seen. In both the Japanese cast and English dub voice actors reprise their previous role. Hidenobu Kiuchi and Jason Liebrecht provide the voice for Hei. Just like in season one, both actors deliver great performances of a seemingly emotionless character without coming across wooden. To both actors benefits the material allows them more range interacting with their co-stars in situations places Hei out of his element. Easily these two actors are the standout in this four OVA. Brina Palencia and Misato Fukuen both voice Yin. Both actresses do a fine job, but aren’t given much material to build on their performances that feel like a rehash portrayal.

As for choosing how to see Gaiden it’s a tie for voice work. Gaiden does not offer time to have a recurring character and allow them time to grow. Unless you’re a big fan of Tetsuya Iwanaga for the Japanese cast or Johnny Yong Bosch for the English dub playing Calude the only other character with a big enough role to take notice off. Simply go with personal preferences since nothing is lost in either version.

In the music department, it has a similar soundtrack to Ryuusei no Gemini going more for a thriller vibe. Offering a mixture of rock tracks, techno, and lighter sounding tracks for the more personal moments in the series. The melancholy ending theme “Can You Fly” by Yasushi Ishii is played in every episode. It’s the only noteworthy track in the music department. While in general the soundtrack works “Can You Fly” by Yasushi Ishii is the only memorable track that remains with you after you finish the series.

Personal Enjoyment:

After spending an entire twenty-four episode season with Hei and Yin I’ve very much appreciated how this four part OVA told an arching story and added upon two already developed characters. Unlike the first season, I immediately got hook into this four part OVA and all it took was one stellar opening action sequence. Thankfully it also had the same quality writing and storytelling that made the first season such a great anime.

Story: 2/3

Characters: 2/3

Production Values: 3/3

Personal: 1/1

Final Thoughts:

“Darker Than Black: Gaiden” combines the strong writing of season one with the upgraded action scenes of season two. It’s a must watch for any fan to make clearer sense of Ryuusei no Gemini ending and for anyone who wants to continue watching the rest the “Darker Than Black” series without getting lost in the story. Gaiden combines the best elements of both seasons even if it lasts under two hours.

8/10